Skip to content
Search AI Powered

Latest Stories

'Crazy Rich Asians' Co-Writer Drops Out Of Sequels After Being Offered Substantially Less Than Her White Male Co-Writer

'Crazy Rich Asians' Co-Writer Drops Out Of Sequels After Being Offered Substantially Less Than Her White Male Co-Writer

Frazer Harrison/Getty Images

Make us preferred on Google

Sequels for Crazy Rich Asians were fast-tracked after the Asian cast-led romantic comedy defied Hollywood expectations with praise from critics and debuting at number one at the box office.

The two sequels that are based on the Crazy Rich Asians (CRA) trilogy of books written by Kevin Kwan—including 2015's China Rich Girlfriend and 2017's Rich People Problems— were to be filmed back-to-back to meet the demands of the cast's working schedules.

Now, the films are off to a crippling start in the writer's room before it even begins.


The Hollywood Reporter was the first to learn that Adele Lim, who was chosen by the CRA director Jon M. Chu as a co-writer for the eponymous 2018 film and would-be writer of the greenlit sequels, has officially dropped out over a wage dispute.

CRA co-writer Peter Chiarelli, known for his work as a writer on 2009's The Proposal, was to be paid a significantly higher salary than that of Lim, whose work prior to CRA was as a co-producer and writer for TV shows like Lethal Weapon and Dynasty.

The Malaysian-born writer said that many women of color are often regarded as "soy sauce"—hired solely to spice up a screenplay with authentic, cultural sensibilities rather than having a significant voice in telling the story.

"Being evaluated that way can't help but make you feel that is how they view my contributions."

THR cited unnamed sources saying that Chiarelli was set to make $800,000 to $1 million, while Lim was only offered "$110,000" for the forthcoming sequels with the possibility of bonuses that would still put her far behind her co-writer.

Studios rely on "quotes" to determine the price points in hiring a writer. Those quotes are based on the amount of work a writer has done on feature films, making the TV veteran the proverbial small fish in a big pond that is Tinseltown. But for many women, the doors to feature films are closed to them making a decidedly gender based pay gap.

Studio execs fear that making an exception for one writer would set a precedent they are not willing to contend with.

Lim walked away last fall, leaving Color Force production company scrambling to find a replacement. The studio came back to Lim in February after coming up dry and offered a deal "closer in parity" to Chiarelli, who offered to split his fee with her.

Lim kindly declined Chiarelli's offer, saying:

"Pete has been nothing but incredibly gracious, but what I make shouldn't be dependent on the generosity of the White-guy writer."
"If I couldn't get pay equity after CRA, I can't imagine what it would be like for anyone else, given that the standard for how much you're worth is having established quotes from previous movies, which women of color would never have been [hired for]. There's no realistic way to achieve true equity that way."




Alexander Woo, a producer and writer known for True Blood (2008) and recently for The Terror (2019), was outraged over the industry's wage gap.



For now, the sequels are moving forward, albeit sputtering along with Chiarelli and director Chu delivering the first draft for a 10-page treatment to Warner Bros., who is distributing the films.

Despite the pre-production hiccup, Chu is intent on delivering worthy sequels to honor the first film.

"There's too much responsibility and too much precedent from the first movie that the last thing I want to do is just hit a date and release the movie."
"There's still too much work to do. Our focus isn't on the timeline, it's on getting the story right."

Lim previously signed a four-year first-position contract with Disney Animation—for which she is writing the upcoming 2020 animated Southeast Asian film Raya and the Last Dragon—but said that Disney would have been willing to allow her time off for scripting duties on the CRA sequels.

CRA made over $238 million worldwide making it the highest-grossing romantic comedy in a decade and revived a genre that Hollywood thought was dead.

It was the first major studio film in a contemporary setting led by an all-Asian cast not seen since 1993's Joy Luck Club.

You can read Kevin Kwan's The Crazy Rich Asians Trilogy box set, available here.

*******

Listen to the first three episodes of George Takei's podcast, 'Oh Myyy Pod!', where we explore the racially charged videos that have taken the internet by storm.

Be sure to subscribe here and never miss an episode.

More from Entertainment/tv-and-movies

Todd Rundgren; Taylor Swift
Tim Mosenfelder/Getty Images; Frazer Harrison/Getty Images

'70s Rock Star Sparks Heated Debate After Claiming That Taylor Swift Has 'Ruined Music'

Taylor Swift's new extended album The Life of a Showgirl: Encore has been even more poorly received than the original version last year, and you can count Todd Rundgren among those who aren't impressed.

Who the heck is that? The 78-year-old rocker had a slew of hits in the 1970s, including "Hello It's Me" and "I Saw The Light," and also produced some of the most important rock albums of the era.

Keep ReadingShow less
Spencer Pratt; James Talarico
HIGHFIVE/Bauer-Griffin/GC Images; Brandon Bell/Getty Images

Spencer Pratt Gets Blunt Reminder After Claiming It's 'Weird' That James Talarico Is Almost 40 And Has Never Been Married

According to U.S. Census Bureau Estimates, as of 2026, the estimated median age at first marriage in the United States is 30.8 years for men. That has changed over time as people are waiting longer to get married.

In 1975, the median age for men to marry for the first time was 23.5, by 2004 it had risen to 27.4, and by 2014 to 29.3. The steady increase over the decades was attributed to more people prioritizing completing their education and establishing their careers to become financially stable before marrying.

Keep ReadingShow less
Screenshot of Penny Lee during MS NOW interview
MS NOW

MAGA Voter Sounds Off About Her Regret Over Voting For Trump In Blistering Viral Interview: 'I'm Pissed'

Penny Lee, a Florida woman who voted for President Donald Trump, admitted to a reporter with MS NOW that she regrets voting for him and says that the Trump administration has run the country "into the ground."

Lee spoke to the press at a gas station in the town of Clewiston and her remarks highlight the stress many Americans are living with as a nationwide affordability crisis continues unabated.

Keep ReadingShow less
Ken Paxton; Donald Trump
Kevin Dietsch/Getty Images; Aaron Schwartz/Getty Images

Ken Paxton Privately Admits GOP Candidates' Numbers 'Dropped' Due To Trump's Midterm Convention In Leaked Audio

Texas attorney general and U.S. Senate nominee Ken Paxton privately admitted in a newly-leaked audio clip that "everybody's numbers dropped" after the Republican midterm convention where President Donald Trump appeared last month.

Trump spoke for nearly two hours that night, with his address airing live on Fox News as well as the Nielsen-rated cable networks Newsmax and NewsNation. Trump promised a "Trump dividend" of $5000 to every adult if Republicans win both chambers of Congress, asked his supporters to do him “the biggest favor” and “pretend” they are voting for him in November.

Keep ReadingShow less
Jack Smith; Eric Schmitt
Chip Somodevilla/Getty Images; Saul Loeb/AFP via Getty Images

Video Proves Jack Smith Was At Iowa Hawkeyes Game And Not In Atlanta After MAGA Senator's Epic 'Gotcha' Blunder

Former special counsel Jack Smith was indeed, as he told Missouri Republican Senator Eric Schmitt during a contentious hearing, at an Iowa Hawkeyes game in 2024, per video proof making the rounds following Schmitt's viral blunder.

On Tuesday, Schmitt accused Smith of perjury after repeatedly questioning him about whether he had attended an NBA game in Atlanta on February 3, 2024. The Atlanta Hawks hosted the Golden State Warriors that evening.

Keep ReadingShow less